This originally appeared in the San Francisco Chronicle on May 10, 2009.
"Pop Apocalypse," by Lee Konstantinou
Reviewed by Dewey Hammond

The year is 2029. The British prime minister's son, William Pearson, prepares to rape two young women on the reality show "That's So Fucked Up." But Eliot R. Vanderthorpe Jr., his co-star, experiences a "curious revelation," and the 27-year-old hero of "Pop Apocalypse" smashes a bottle of Dom Pérignon against Pearson's head.
So begins the debut novel from San Francisco writer Lee Konstantinou, whose first effort feels like driving through an art museum at 60 miles per hour. There is plenty to catch your attention, but you'll remember little of the adventure next week, tomorrow or even five minutes from now.
The landscape is littered with cultural references that offer little in the way of characterization or context: OutKast and iPhones and "a vintage 2000s-era Mini Cooper" and "an old-school 2000s-era cell phone" and "his vintage 2000s-era Converse All Star high-tops."
The subverted rape is followed by eight pages of unnecessary action, none of which explains Eliot's sudden change of heart, the personal transformation ostensibly at the root of his quest to prevent a global apocalypse in Konstantinou's satire, which mocks commercialism, religion and society's self-destructive nature.
As the third decade of the millennium comes to a close, Judaism, Christianity and Islam are at continued odds with one another. Evangelicals masquerading as tourists have launched a terrorist attack against a holy temple. Nobody is happy. Global conflict is a near certainty. All of it can be monitored live on the Holy Land Channel. "Today's Terror Forecast has predicted a day of low-to-moderate unrest for East Jerusalem with mild political pressure moving inward from the west."
The United Nations no longer includes the United States and Western Europe, both of which now fall under the umbrella of the Freedom Coalition, the mission of which is the spread of capitalism at the expense of terror. Ironically and by default, terrorists own copyrights and distribution rights for images of their crimes. Dollars and cents trump all else. Entertainment is an acceptable, preferred even, substitute for spirituality and common sense.
Personal reputations are bought and sold, quite literally. Even the hero sells his reputation in an effort to repair damage done to his revered family name following his Champagne-bottle attack. Surrounded by greedy advisers and family, Eliot takes his reputation public with an initial public offering on the New York Reputations Exchange (NYRE). He settles on the personal slogan "Be excellent," lifted from the 1989 movie "Bill and Ted's Excellent Adventure."
The characters are not dynamic and the plot is tenuous, strung together in a way that leaves you not caring about the people, places or plotlines, and wanting more depth from all of the above. The opening scene is the last you'll see of the wannabe rapist, the first in a long line of people and things that come and go too quickly.
Even those characters with more than just a cameo are not especially dynamic, and this includes Eliot. Sure, he has his "revelation," but it doesn't unfold naturally in the narrative in a way that even satires deserve. Even if it did, it's not clear that's his motivation to save the world is even partly altruistic, because there is an evil look-alike who stole his identity and has plans to murder a prominent religious leader, so personal transformation or not, Eliot really has no choice but to step in and put a stop to this apocalypse nonsense. The evil look-alike even duped his girlfriend.
With the help of Internet fan boys, Eliot escapes anonymity and makes a dramatic entrance, confronting the troublemaker, whom he has dubbed Aliot. "Under the careful supervision of Secret Service gun muzzles, Eliot pulls off his parachute and flight suit" and shortly thereafter regains his identity, with one notable exception: His girlfriend falls in love with Aliot, the man who shot her boyfriend in the chest with a dart gun.
But the threat to world peace is quelled, if only temporarily. Ultimately, the destiny of humankind is put in the hands of consumers, in the form of a phone poll, a fitting end for a world whose characters are as shallow as the entertainment.